The Rightful Archetypal Renaissance Man

The Genesis scenes mounted on the Sistine chapel ceiling and the Last Judgment painting on the Sistine chapel altar wall are two of the most influential fresco works in Western art history. These works are among the Michelangelo paintings and are found in Rome, where one can find the Sistine chapel. Despite Michelangelo’s personal low opinion of painting, these works are well known all over the globe.

Michelangelo di Lodovico Buonarroti Simon was an Italian Renaissance painter, sculptor, architect, poet and engineer. He is not only known for his Michelangelo paintings but also for two sculptures made before he turned thirty. These are the Pieta and the David.

In his design of the dome for the Roman St. Peter’s Basilica, Michelangelo used plaster as his main ingredient. In doing this, he started a classical architectural revolution.

The Michelangelo sketches are among the earliest of Michelangelo paintings. The volume of these surviving sketches, together with correspondences and reminiscences, make Michelangelo the best documented artist from the 16th century.

Michelangelo’s versatility in the disciplines of the highest order lead him to be often considered for the title of the archetypal Renaissance man, along with his fellow Italian and rival, Leonardo da Vinci. This versatility Michelangelo acquired despite his making only a few forays beyond the arts. The Renaissance man is a man whose seemingly infinite curiosity was equalled only by his inventive powers.

The Mona Lisa and the Last Supper are two Da Vinci paintings that occupy the unique positions of being the most famous, most reproduced and most parodied portrait and religious paintings of all time. Only the Creation of Adam, painted by his co-Italian and rival, Michelangelo has been able to approached the fame of these two Da Vinci paintings.

Considered as an Italian polymath, Leonardo di ser Piero da Vinci was best known for his Da Vinci paintings. A polymath was a person who has been a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician and writer in the span of his lifetime.

Among the iconic Da Vinci paintings is his drawing of the Vitruvian Man. Due to Leonardo’s constant, and frequently disastrous experimentation with new techniques, together with his chronic procrastination, only fifteen Da Vinci paintings experienced survival.

As far as contributions to later generations of artist, Da Vinci and Michelangelo find themselves rivalling one another once again. As far as Da Vinci is concerned, his contribution consists of the surviving Da Vinci paintings, together with his notebooks of drawings, scientific diagrams and personal insights on the nature of painting.

It was after studying in the studio of a renowned Florentine painter, that the earlier Da Vinci paintings came to life. The painter we owed this debt to is Verrocchio.

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